"The making of a great compilation tape, like breaking up, is hard to do and takes ages longer than it might seem..."

As you can (hopefully) tell from the title, I've been watching High Fidelity. It involves girls and music, how did I not find it/start worshipping it earlier? In fact, I can pretty much see my life being like that in 10/15/20 years, should I make certain decisions. Hell, it's pretty much my life know...just minus the constant stream of women (more like being drip-fed one per year) and my very own record store (more like this blog and the rest of the internet).

Anyways what it relates to is the Spotify mix playlists that I have created for you lovely people...at least I'm hoping you're lovely...to just spread a bit of aural goodness around. No, I don't see myself as some sort of musical Maharishi, imparting pearls of great music to you, the unenlightened. Being honest, most of you reading this will probably know infinitely more about this than I ever will and should you open one of the playlists, laugh in scorn at my woefully "mainstream" choices. But who gives one? I just want to share stuff I think is freaking awesome with anyone who wants to listen, hopefully convert a friend or two into liking a band and kill a bit of boredom.

Playlist Numero Uno is full of more well known bands/tunes of this year, with the odd suprise. So expect "Bonkers", "Dog Days Are Over", "Run This Town" and "Zero", though not "Bulletproof" or "In For The Kill" by La Roux. Even I'm sick of them by now.

Enjoy!

Playlist Nummer Zwei is the best of the lesser-known, "weird indie shit" (as I'm certain some acquaintances would call it) to appear this year. So album tracks from slightly less mainstream bands, obscure groups you're not sure how to say the name of (hello, Dananananaykroyd!) and basically good stuff. I've gotta say though, listen to the Noah & The Whale album in one go, as it is, not shuffled. You'll thank me later.

Enjoy even more!

Hopefully you'll enoy them, go buy the various albums/singles, see the bands live and, y'know, be a proper music fan. Or, if you're disgraced by my tastes, feel free to send me a playlist back to "educate" me. It could be fun. And these playlists will over there in the sidebar should you ever feel like downloading in the future and can't be bothered to click a few times right this second.

Oh and if you don't have Spotify, I reccomend you get it. Now.

NEU! featuring Muse, The Chapman Family, The Pains Of Being Pure At Heart, The Hot Melts, Girls

Muse - Uprising
The first official release from "The Resistance" (after the bonkers "United States Of Eurasia") sees the Teignmouth trio in usual fine form, even if this does sound like a million different other songs. Hints of "Spirit In The Sky", "Shoot The Runner", "Personal Jesus" and even the Doctor Who theme tune all crop up, but seeing as Muse have never been the most serious of bands (Evidence? Here and here) it's pretty much acceptable. After all, what's rock & roll without a little bit of madness? "Uprising" isn't up there with previous Muse classics, and it's not even the best song on the new album but the simple catchiness and awesome-as-usual guitar work should make it a hit with both new and old fans.
7.5

Virgins

The Chapman Family - Virgins
First it was "Kids", now it's "Virgins". You'd be forgiven for being worried by The Chapman Family due to their song titles, but leaving that to one side, this new single is an altogether more radio-friendly affair than its predecessor (basically there aren't blasts of face-melting guitar every 5 seconds). That's not to say the Chapmans have gone all Jonas Brothers. "Virgins" is still a brooding slice of post-punk genius, with Joy Division-esque bass and the oddly anthemic edge we've come to expect from the Teesiders. For anyone anticipating their upcoming tour or a possible album, this will only serve to get you even more excited
8.5
The Pains Of Being Pure At Heart - Come Saturday
One of the bigger names of the shoegaze craze (both in popularity and actual length), TPOBPAH have the balance between pop tunes and feedback just right, something that a fair few bands in the scene cannot manage e.g. Times New Viking. That said, "Come Saturday" is a bit anonymous compared to the rest of The Pains' debut, despite a great intro which sounds like a twee Clash (sounds horrible, but it's pretty alright). I reccomend the rest of their self-titled album, but just skip this one.
6

The Hot Melts - Red Lips
Well this is something new; a Liverpool band who aren't directly influenced by The La's/Shack. The Hot Melts favour big rock tunes rather than jangly Merseybeat, and when combined with the typical Scouse pop nous, we get one of the freshest and best new bands around at the minute. Plus, should you lack enough funds to actually go out and buy their album, the band are giving it away for free. If The Hot Melts don't get big, then I'll eat my hat...after going and finding one first.
8

Girls - Lust For Life
Along with The Drums, Girls are the buzz band of the second half of '09. Both deal in bittersweet indie pop, but Girls seem that little bit more dangerous or typically "rock & roll". Once you get past the slightly odd, slightly androgynous vocals (which isn't too easy with lines like "I wish I had a boyfriend/I wish I had a loving man in my life") you'll find that this is one of the best pop songs of the decade...if a little scuzzed up. Whether Girls end up as an indie one-hit wonder or a classic underground band remains to be seen, but for now you can just stick this on repeat
9

Soup Of The Day: The Drums

FROM: Brooklyn, NY
GENRE: Indie/Pop
SOUNDS LIKE: The soundtrack to either a lost classic 80s teen movie or a 1960's surfing flick. Or what's hidden underneath the feedback and noise of every shoegaze song; perfect pop. Or a pop Joy Division, which I know sounds horrible, but turns out top be pretty awesome.
ESSENTIAL TRACKS: "Let's Go Surfing", "Best Friend", "Down By The Water"
YOU'LL LOVE THEM IF YOU LIKE: Pop, Vampire Weekend, The Pains Of Being Pure At Heart, The Answering Machine, Blink 182 (at a very big push)
CHECK OUT: Their aptly-titled "Summertime" EP
MORE INFO?: MySpace, official website

It's hard not to love Muse sometimes...

Okay, Oasis and Nirvana have done it before, but Muse are better.

The Hitsville UK Alternative Mercury Prize! Results!

Yes, I'm fairly late in posting this and yes, hardly anyone voted but I have a duty as a music blogger/nerd to do this sort of thing. And just so there are no complaints (not that there ever are), only British albums released in the last 12 months that weren't nominated for the actual Mercury could qualify. So here are the results of The Hitsville UK Alternative Mercury Prize or The Thermometer Award (Thermometer, mercury...geddit?)



VV Brown - Travelling Like The Light - 3/30%
Los Campesinos! - We Are Beautiful, We Are Doomed - 3 votes/30%
Franz Ferdinand - Tonight: Franz Ferdinand - 2 votes/20%
The Maccabees - Wall Of Arms - 2 votes/20%
Metronomy - Nights Out - 2 votes/20%
We Were Promised Jetpacks - 2 votes/20%
Grammatics - Grammatics - 1 vote/10%
Jack Penate - Everything Is New - 1 vote/10%
Manic Street Preachers - Journal For Plague Lovers - 1 vote/10%
It Hugs Back - Inside Your Guitar - 0 votes
Late Of The Pier - Fantasy Black Channel - 0 votes
Sky Larkin - The Golden Spike - 0 votes

So congrats to both LC! and VV Brown on being joint winners. A well deserved victory for both, if fairly suprising (my money was on The Maccabees). "Travelling Like The Light" is a superb album, fusing parts of 50s/60s rock 'n' roll with soul and modern pop. If I was going to be lazy, I'd say she was the alternative to the hype storm of La Roux, Little Boots and Florence...alright, she basically is. It does have something for pretty much everyone, except death metal fans and that awful breed of human that drives around at 100mph at night listening to awful dance. Ok, "Crying Blood" is essentially a reworking of "The Monster Mash", but it doesn't stop it, or the album from being any less awesome.

LC! on the other hand, are a somewhat more acquired taste. But if you persevere with "We Are Beautiful, We Are Doomed", you're in for a treat. The band are probably most known for their painfully accurate lyrics ("As if I walked into the room to see my ex-girlfriend/Who by the way, I'm still in love with/Sucking the face of some pretty boy with my favourite band's most popular song in the background/Is it wrong that I can't decide which bothers me most?" is one that is now ingrained in my mind, and what indie guy hasn't felt like that?), that sum up angst in a way not seen since Morrissey. "WAB,WAD" is a massive step forward from their debut "Hold On Now, Youngster" both musically and lyrically, fully embracing the range of LC!'s influences (from the alt.pop of Kenickie and Bis to the punk rock of Fucked Up and Black Flag, as well as the noise of No Age and Xiu Xiu). Judging by the new track "The Sea Is A Good Place To Think Of The Future", things can only get better.

Weezer - Raditude cover

Need I say more?

NEU! featuring Ian Brown, Weezer, The Black Box Revelation, and The Drums

Ian Brown - Stellify
King Monkey may not have that many big tunes of his own (as evidenced at Leeds) but this is certain to join the few in his canon. Lo-fi and clearly dance-inspired with the entrancing piano line. Driven along by an great marching beat and like pretty much everything to do with Brown, it's got a certain swagger to it which is more than enough to propel it into classic status.
9

Weezer - (If You're Wondering If I Want You To) I Want You To
The first release from Weezer's awesome-ly titled seventh album "Raditude" is just what you'd expect from Rivers Cuomo & the other three. The skiffle-y intro makes way for a great pop chorus, with all the ingredients for a classic Weezer tune; girls, lsuting after them, some reference to summer and Slayer. After the 50/50 awesomeness/filler of The Red Album, "Raditude" is gonna be...well...rad!
8

The Black Box Revelation - I Think I Like You
There hasn't been a young, brash, permanently-wearing-leather-jacket-type rock 'n' roll group with both tunes and attitude around in a while (The Enemy? Really? Did you hear that second album?!). What Oasis would sound like if they were still 20, playing shite clubs and showed a hell of a lot more passion for what they do, instead of cosying up to Russell Brand or starting fashion labels. It's not what you'd call original and whilst it may have been done thousands of times before, TBBR are making garage rock what it should be; exciting and not giving a fook.
7.5


The Drums - Let's Go Surfing
There's no point in anyone releasing any other single this year. This is the best song of 2009. It's what is under all that feedback and droning of the current shoegaze revival; pure classic guitar pop, just guitar, bass, drums and packed to the brim with hooks. "Let's Go Surfing" is the perfect summer song, and had it recieved more exposure, it would have been this year's "A-Punk"...just less annoying. If you can stop yourself from listening to it on repeat/humming it throughout the day, then I'll eat my hat.
10

Arctic Monkeys - Humbug

These days, virtually every big record has a collection of buzzwords mentioned in every preview, review, interview and article associated with it, and "Humbug" is no different. Mentions of Turner & co's third effort have never been far from the words "dark", "mature" or "Josh Homme". Regular producer James Ford has been reduced to involvement on just three tracks, whilst band idol Homme has guided them to somewhere a world away from the Sheffield nightclubs and dancefloors associated with the Monkey's debut. It would appear Britain's biggest band of the moment are growing up.

Pre-album hype may have been just that, as mutterings of Black Sabbath and psychedelic influences aren't exactly at the fore of "Humbug". If anything, it's more Last Shadow Puppets than QOTSA in places. Opener "My Propeller" could have comfortably slotted in on "The Age Of The Understatement" had a string section been tacked on. It gives the biggest hint that Turner's songwriting and ear for a melody has been honed to perfection thanks to his work with Miles Kane. "Mardy Bum" it ain't. That's not to say it's wholly inaccessible, pretty much the opposite in fact. It's very easy to imagine the Monkeys hitting the upper echelons of the charts should they pick their singles well from "Humbug" (perhaps unsuprising to discover the most chart-friendly tracks are the Ford-produced ones). For the casual listener (a.k.a your mum/dad/uncle with questionable taste/chavvy cousin who liked "When The Sun Goes Down"), this album will take a fair few more listens to "click" than the previous two. This may be a bit of a cop-out but it's a grower.

Even if you find yourself enjoying it on the first few times, repeat listening is required to appreciate how far the band has, pardon the pun, evolved. Turner has turned into an unusual mix of Nick Cave and Morrissey in the body of Jim Morrisson, Jamie Cook is growing into a damn good guitarist whilst the rhythm section of Matt Helders and Nick O'Malley dominate a hefty chunk of the album, in particular "Pretty Visitors", possibly the band's heaviest track to date. Turner's vocals have gone from the spikey adolescent quasi-rap that characterised their debut, to a smooth, almost-lounge lizard croon that undoubtedly suits the tone of the record. The darker, sexed-up likes of "Dangerous Animals" and "Fire And The Thud" wouldn't exactly suit the mile-a-minute delivery of yesteryear. That's not to say that everything on the album is "mature" i.e. darker, moody etc, as two standout tracks are possibly the most obvious ballads Turner has ever written. If you shut your eyes "Secret Door" and "Cornerstone" could be offcuts from the Last Shadow Puppets, and as both bands progress, it's likely that the similarities will keep on increasing.

"Humbug" is nowhere near the difficult album some are making it out to be. To those with a wide taste, or even those who just like good songs the new set of songs will be immediately accessible. But any fan lusting after songs about "Topshop princesses" and being "thrown in the riot van" will be severely disappointed for the remainder of the Arctics' career. As they stated a few years ago "We'll stick to the guns/ Don't care if it's marketing suicide/We won't crack or compromise". If that results in more of the same as "Humbug", then good on them.

9